Upcoming activities
January 15-16, 2005 Saturday - Evanston Symphony Orchestra Dress Rehearsal
& Concert
Members are invited to the free dress rehearsal at Pick-Staiger Hall, Northwestern University.
Program includes:
Torke: Bright Blue Music
Mahler: Lieder eines fahrenden Gesellen
(Randall Scarlatta, baritone)
Dvorak: Symphony No. 6
Our member, Mr. Lawrence Eckerling, will conduct the orchestra
in a performance of the program on Sunday January 16, 2005
(2:30pm) at Pick-Staiger Hall. Tickets $20.
January 13-16, 2005 Thursday-Sunday - Colorado
MahlerFest XVIII
Chamber Music Series (performed by Colorado University students and faculty members):
Excerpts from Das Lied von der Erde and Des Knaben Wunderhorn
Complete Lieder eines fahrenden Gesellen
Symposium
Lectures by Dr. Stuart Feder, Prof. Stephen Hefling, and Prof. Marilyn McCoy
Orchestra Concert:
Brahms: Tragic Overture
Mahler: Ninth Symphony
Colorado MahlerFest Orchestra, Robert Olson (cond.)
The Chicago Mahlerites will organize a trip to Boulder
Colorado for this unique Mahlerian event. We will arrive on
January 13, and depending on your own preference, stay there
till the first concert of the Ninth Symphony on January 15, or
stay till the end of the Festival where you can enjoy the
second performance of the NInth Symphony and join the
musicians for the after-concert banquet. For more information,
please visit the MahlerFest
website
Past activities
July 30, 2004 Friday - Pre-concert Picnic at Ravinia
Picnic begins at 6:00-6:15pm at the lawn.
Concert (begins at 8pm)-
Mahler: Symphony No. 8
Chicago Symphony Orchestra
Christoph Eschenbach, conductor
Heidi Grant Murphy, soprano
Marina Mescheriakova, soprano
Deborah Voigt, soprano
Stephanie Blythe, mezzo-soprano
Charlotte Hellekant, mezzo-soprano
Vinson Cole, tenor
Stephen Salters, baritone
John Relyea, bass-baritone
Chicago Symphony Chorus
Apollo Chorus of Chicago
Chicago Children's Choir
For more information, click here.
July 3, 2004 Saturday - CD session
"If Mahler had written a Piano Concerto..."
Ferruccio Busoni: Concerto In C Major for Piano, Orchestra,
and Male Chorus, op. 39
at the home of our member, Conrad Weisert
8:00 pm
June 4, 2004 Friday - Gathering
Post-concert gathering will take place at Vive La Crepe
at 1565 Sherman Avenue, Evanston.
Concert-
Mahler: Symphony No. 9
Northwestern University Symphony Orchestra
Victor Yampolsky, conductor
Pick-Staiger Hall
7:30pm
May 23, 2004 Sunday - Recital
Lieder von Gustav und Alma
Mahler

World Premiere of the Critial Edition of Alma Mahler's Vier
Lieder
Kindertotenlieder, Four Songs from Des Knaben
Wunderhorn, and Rückert Lieder
Thomas E. Bauer, baritone
Uta Hielscher, piano
Click here
for detailed information.
March 6, 2004 Saturday - Trip to Milwaukee, Wisconsin
Mahler: Symphony No. 3
Milwaukee Symphony Orchestra
Andreas Delfs, conductor
Susan M. Filler will give the pre-concert lecture.
February 21, 2004 Saturday - Mahlerthon
"Mahlerthons" are informal gatherings for the
members of The Chicago Mahlerites to listen and discuss about
Mahler performances on CDs and videos.
Mahler: Symphony No. 3 Berlin Philharmonic Orchestra
Bernard Haitink, conductor - DVD
San Francisco Symphony Orchestra
Michael Tilson Thomas - CD
December 6, 2003 Saturday - Mahlerthon
Mahler Symphony No. 5
Berlin Philharmonic Orchestra
Simon Rattle, conductor - DVD
Junge Deutsche Philharmonie Orchester
Rudolf Barshai, conductor - CD
October 4, 2003 - Trip to Indianapolis
Mahler: Symphony No. 10 (completed by Rudolf Barshai)
Indianapolis Symphony Orchestra
Rudolf Barshai, conductor
Meeting with Maestro Barshai after the concert
May 4, 2003 - Trip to Elgin, Illinois
Elgin Symphony Orchestra: Symphony No. 2 in C Minor, Resurrection
Robert Hanson, Conductor
Elgin Choral Union
Randi von Ellefson, Director
Elizabeth Norman, Soprano
Karen Brunssen, Mezzo-soprano
March 30, 2002 - Trip to Milwaukee
Performance of Mahler's 7th Symphony by the Milwaukee Symphony
Orchestra Post-concert meeting with the Milwaukee Symphony
July 7, 2001 - Celebration of Gustav Mahler's Birthday
Seminar Series - "Mahler's Tenth Symphony: the 'Farewell'
that wasn't."
Speaker: Susan Filler, Ph.D.
Time: 1 pm; Admission: free, but members only.
Synopsis: It is generally known that Gustav Mahler did
not complete his Tenth Symphony, which he drafted in the
summer of 1910 and probably intended to finish the following
summer. Because of his death in the spring of 1911, the work
has become known as a precursor of the end (while sharing the
aura of death with its two immediate predecessors, Das Lied
von der Erde and the Ninth Symphony). This view of the
Tenth Symphony is, at best, based on romantic myths about the
"dying composer," which have affected not only
Mahler but many other composers including Mozart and Bruckner.
Likewise, the feeling of a "curse" preventing a
composer from going beyond a Ninth Symphony--founded on the
idea that Beethoven did not go beyond his Ninth--has
supposedly hung over the heads of later composers following in
Beethoven's footsteps. A new view of Mahler's Tenth Symphony,
not based on myths planted by Mahler's wife and associates in
their writings after his death, began with the performance of
the "performing versions" of the work by Deryck
Cooke, Joseph Wheeler, Clinton Carpenter and Remo Mazzetti,
and is now being seriously considered by Mahler specialists.
It involves reappraisal of these factors:
The extent to which Mahler actually
advanced in the compositional process, and the effect of his
achievement on those who made the performing versions
The state of his health in the last
four years of his life, which has been misunderstood and
misrepresented by his associates, especially his wife
The nature of the music itself and
the place it bears in Mahler's corpus of compositions in
general
"Mahlerthon" of the Tenth Symphony
"Mahlerthon" is our regular CD listening session
during which we will listen, and discuss the performances in
details. This will start immediately after Dr. Filler's
Seminar.
October 6 - 20, 2001 Lectures in China
Dr. Filler gave the following lectures in China (Beijing and
Xian):
1. "Trends in Mahler Research in the West since World
War II" (A general survey of books, articles,
dissertations and musical editions, with some highlights by
major authors and editors)
2. "Gustav Mahler's 'Scherzo in c minor' and 'Presto in
F major'" (An introduction to the two movements, the
stage to which Mahler developed them, and the arguments for
and against the principle of a performing version, with
illustrations from Dr. Filler's own edition)
3. "Jewish Music: what is it and how is it
defined?" (To differentiate between the divergent
styles of Ashkenazim, Sephardim and Oriental Jews, to also
offer examples of music used for religious and secular
purposes, and to put the problem of defining
"Jewish" music into historical context)
April 22, 2001 - Joint event with the Malaysian
Mahlerites
Seminar Series - "Das Lied von der Erde: Genesis
and Impact"
Speaker: Teng-Leong Chew
Time: 5 pm
Venue: Dama House, Kuala Lumpur, Malaysia
Synopsis:
Mahler is perhaps the only composer after Beethoven whose
oeuvres can be categorized into three clearly demarcated
periods. Das Lied von der Erde lies at a critical
crossroad, bridging the Middle Period of the 5th, 6th, 7th
symphonies, as well as the gigantic choral 8th to the
strangely ethereal 9th and 10th. Mahler drastically changed
his compositional palette in the Late Period works, commonly
known as the Symphonies of Life and Death. Closer study
reveals that the last symphonies not only differ from all
previous works with regards to the orchestration and style,
but more profoundly to the very core of Mahler's musical
ideology and philosophy. “Das Lied von der Erde” thus
provides an invaluable glimpse into the metamorphosis of
Mahler's artistic craftsmanship at this pivotal juncture.
This aspect of Das Lied von der Erde was examined
through his selection of the poems in Hans Bethge's Die
chinesische Flöte, his poetic alteration of the text to
fit the Symphonic Songs, and more importantly, through the
music itself.
March 31, 2001 - "Mahlerthon" of the
Second Symphony
CD-listening session of Mahler's Second Symphony. We
compared in their entirety the latest rendition by Seiji
Ozawa and the Saito-Kinen Orchestra, and the performance by
Sir Simon Rattle and the City of Birmingham Symphony
Orchestra. We also listened to snippets of other recordings
as well.
May 14 - 15, 2000 - Joint event with the Chicago
Wagner Society
Special Seminar - "Mahler: Disciple and Champion of
Wagner."
Speaker: Prof. Henry-Louis de La Grange
Time: 4 pm May 14, 2000; Venue: Omni Orrington Hotel,
Evanston, Illinois
Lunch with Prof. Henry-Louis de La Grange
Time: Noon, May 15, 2000
Venue: The Signature Room, 95th floor of John Hancock Tower,
Chicago.
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